Directed by Sidney Lumet; Written by Reginald Rose
Starring Henry Fonda, Lee J. Cobb & Jack Klugman
Greatest Award/Nomination: Academy Award nominee for Best Picture
In Sidney Lumet's directorial debut, this film unleashes information like a dealer passes players their hands. The numbered and unnamed jury members are convinced that the defendant is guilty, however Henry Fonda's role is to assure them of his innocence. It's a fascinating view of our judicial system and how easy it is to assume.
Written & Directed by Paul Thomas Anderson
Starring Julianne Moore, William H. Macy, John C. Reilly, Phillip Seymour Hoffman & Tom Cruise
Greatest Award/Nomination: Academy Award nominee for Best Original Screenplay
An intertwining story that braids several characters together in a film about love, death, addiction, and truth. The moral is that coincidence only exists to the people who do not believe and that frogs can fall from the sky. Nothing is impossible. Anderson sweeps you away, bringing and excellent script to the screen and directing an all-star cast. It's riveting, inspirational, and very creative.
Directed by Brian De Palma; Written by Lawrence D. Cohen
Starring Sissy Spacek, Piper Laurie & John Travolta
Greatest Award/Nomination: Academy Award nominee for Best Actress - Sissy Spacek
Based on an okay Stephen King novel, this cast - studded especially with Spacek and Laurie - creates an environment that's a combination of "Mean Girls," "The Exorcist," and "Seventh Heaven." I'm not sure if that makes sense, but it's true. Spacek delivers a frightening, disturbed performance as the loner Carrie and Laurie haunts me still as her Jesus-crazy mother.
Directed by Mel Brooks; Written by Mel Brooks & Norman Steinberg
Starring Cleavon Little, Gene Wilder, Slim Pickens, Harvey Korman, Mel Brooks & Madeline Kahn
Greatest Award/Nomination: Academy Award nominee for Best Supporting Actress - Madeline Kahn
The most entertaining of Brook's films, "Blazing Saddles" pushes the race card past the limit and doesn't look back. A spoof on cowboy films when spoofs were good films and an upwoawious performance by the widiculous Madeline Kahn as Lili Von Schtupp. Though I prefer the British 70s humor of Monty Python, Brooks surely has a way of making the laughs constant and the plot unmistakably unpredictable.
Written & Directed by Paul Thomas Anderson
Starring Daniel Day-Lewis & Paul Dano
Greatest Award/Nomination: Academy Award winner for Best Actor - Daniel Day-Lewis
The best film of last year, one of the decades greatest performances by Daniel Day, and a new breed of Anderson films, "There Will Be Blood" engrosses its audience in a tale of obsession, money, religion and family. Which of the four is more important? Only the film will tell.
Directed by John Schlesinger; Written by Waldo Salt
Starring Jon Voight & Dustin Hoffman
Greatest Award/Nomination: Acadmey Award winner for Best Picture
In an era of sex, drugs, and rockin' music, Schlesinger's film was the FX of Hollywood in 1969. Voight brings an endearing quality to his gigolo character, while Hoffman brings a filthy rag of a man to become one of the most empathetic characters in cinema. If the film were made today, the ambiguities would probably be told straightforwardly, however the equivocal script is what makes this movie so damn good.
Directed by Clint Eastwood; Written by Paul Haggis
Starring Hillary Swank, Clint Eastwood & Morgan Freeman
Greatest Award/Nomination: Academy Award winner for Best Picture
In all its simplicity - both stylish and enticing, dark and humorous, honest and brutal - Eastwood's most recent award-winning film serves as a tribute to the hard-working Americans going for that dream. There's so much commonality in Haggis' script to an American, and the finality is that life throws the hardest punches of them all. Swank is stellar as the protagonist and is backed up by her more seasoned co-stars Eastwood & Freeman.
Directed by Bob Fosse; Written by Jay Allen
Starring Liza Minnelli, Michael York, Helmut Griem & Joel Grey
Greatest Award/Nomination: Academy Award winner for Best Director
"Cabaret" is much like "The Sound of Music" in that is fulfills a hunger for music and history, but Minnelli and her clan of "chums" bring a sexier, more hip idea to the screen - not to mention an incredible directorial job by Fosse, an innovator of style, jazz, and dance. Minnelli's Sally is the keystone to later eccentric, egotistical, eclectic female characters such as Annie Hall and Clementine Kruczynski and a memory of the life actresses like Marilyn Monroe brought to the screen.
Directed by Francis Ford Coppola; Written by John Milius & Francis Ford Coppola
Starring Martin Sheen, Robert Duvall, Laurence Fishburne & Marlon Brando
Greatest Award/Nomination: Academy Award nominee for Best Picture
A grueling war film that enhances the Vietnamese jungles to feel more like Elm Street. The structure of Coppola's writing and directing is truly brilliant, taking us on a journey to meet a man that puts Lucifer on the bench: Marlon Brando. Paranoia, obsession, and mental decadence travel through every shot as themes of the war and of human existence.
Directed by Andrew Stanton & Lee Unkrich; Written by Andrew Stanton, Bob Peterson & David Reynolds
Voiced by Albert Brooks, Ellen DeGeneres, Eric Bana, Elizabeth Perkins, Allison Janney, Geoffery Rush & Willem Defoe
Greatest Award/Nomination: Academy Award winner for Best Animated Feature
Pixar paddles its way into success with an uplifting film about a father who loses his son and will stop at nothing to find him. The only problem is that they're clown fish, he befriends another fish with short-term memory loss, and he has the entire ocean to search around. This movie is fun and entertaining, especially with the greatest voiced performance by Ellen DeGeneres; without her wit and genius, "Finding Nemo" would never have been the success it is.
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