Star Trek

Star Trek
Starring Chris Pine, Zachary Quinto, Eric Bana, Karl Urban, Zoe Saldana, Anton Yelchin, Simon Pegg, Winona Ryder & Leonard Nimoy

From an outsider's perspecive, the renewal of the "Star Trek" establishment beams into gear with fun, excitement, thrills, and a excellently written script. Director J. J. Abrams installs some of his usual Felicitian/Lostian love triangles into the mix as well as proving that his ability to create a high-class summer hit is well beyond the living room tube.

Obviously, being a galaxy-questing story, "Star Trek" makes use of its weaponry and action; yet, unlike the "Star Wars" fleet of films (talking about the Episodes I through III), "Trek" becomes more than just cheap thrills and spills. The scene where Sulu (John Cho), Kirk (Chris Pine), and some other guy zoom down and parachute onto a platform of some drill that's breaching the atmosphere and earth of a planet is startlingly intense.

Although Zachary Quinto has been born to play Spock, Chris Pine as the roguish, angsty, and not to mention completely hilarious James T. Kirk steals the show. Pine's portrayal of a could've-been Luke/Anakin Skywalker doesn't mope and throw out cheeseball lines like Mark Hamill, and he doesn't whine like a little baby as Hayden Christensen so annoyingly did in Episodes II and III. Pine creates Holden Caulfield gone badass for himself - and it works.

With all this comparing and contrasting to "Star Wars," "Trek" can't live up to one thing: the dark side. Vader and all the other Darths make "Wars" a symbol of good and evil, God versus Satan, "Paradise Lost", "Romeo & Juliet". It's Shakespearean. "Trek's" badguy, played by Eric Bana, is a sideshow compared to the rest of the film, and in no respects comes close to the evil encompassing "Wars", but like I said, that's really the only part.

Oh, one more thing - I like Quinto better than Nimoy, and WTF Winona? Can't headline a movie anymore?

Grade: B+

I Am Legend

I Am Legend
Starring Will Smith & Abby the Dog

In a futuristic world that contains threads of "28 Days Later" and "Cast Away," this modern day version of the 50s novel commands an audience needy of action, love, humor, and Will Smith. For an hour and forty minutes, captivation takes control of the theatre, and one of the better end-of-the-world films comes to life. Of course, it has its kinks.

Will Smith is Robert Neville, assumably the last man on earth - well, at least on the isle of New York City. He and his trusty dog, Sam, hunt for wild deer during the day, watch taped news from years ago, listen to Bob Marley, and sleep. Except the sleeping part is more difficult - there are creatures about. Neville studies the humans and animals that were affected by a virus, but he never caught it. They are dangerous, hungry, and never enter the light.

As we enter his Tom Hanks circa "Cast Away" life, flashbacks are given as information about what happened before everyone died or became infected. His wife and daughter are now gone. It's just Neville and Sam.

The suspense of "I Am Legend" arises from a well known world that is so distant and strange. Times Square looks the same but doesn't. It's wild, relentless, deadly. Well, I guess nothing has really changed. Also, the fact that some of the creatures seem to be evolving runs the risk of never being safe. However, the movie takes a turn from being a good old Smith and Sam, lost, unavailing kind of adventure to one of hope. This is a good move for what else can you do, I guess? But it also lessens the tension in a way, knowing that someone else has been out there. Oh well. The final decision of Robert Neville is one to be highly questioned, but the movie before the last 20 minutes was great fun.

Grade: B

Smokin' Aces

Smokin' Aces (DVD)

Staring Jeremy Piven, Alicia Keys, Ryan Reynolds, Ben Affleck, & Taraji Henson

A single playing card - no matter what the suit, no matter what the color, no matter if it's got a joker on it or game rules - is two sided. If it falls, it will land on one of two sides. It will never stand up alone. This is the way "Smokin' Aces" evolves. From a particularly good eared, two-dimensional script, the characters and their situations fall heavily to the ground. With a whole lot of drive, a few original traits, and completely no audience empathy or appreciation, the ensemble, which is all too big to begin with, kicks ass, but we could care less.

However, there is one set of killers out to assassinate Vegas-rich Buddy "Aces" Israel (Jeremy Piven), and that is the female contract killers, Georgia Skye and Sharice Watters, played by singer Alicia Keys and "Hustle & Flow's" Taraji Henson. Keys delivers with on-time attitude and brings life and attractiveness to her character, whereas the other actors just deliver their lines. Henson is the key to Key's prosperity as a reasonable character. The duo are friends, and Sharice cares deeply for Georgia, which brings some humanity to the movie.

What's the conflict? It's simple. Kill Israel. Who are the characters? Well, there's a ton of them, played by Ben Affleck, Ryan Reynolds, Andy Garcia, Ray Liota, Common, and the list goes on. What happens? A lot and not all at the same time. The idea was present but the delivery was all wrong. Reynolds, Garcia and Liota are at a career low. Their lines are fast and important which is a terrible mix, and they're not having much fun - Garcia especially. He is a lame duck in the film.

"Smokin' Aces" is clearly not a movie for a sappy friendship to bud either - it's a guy's movie, a shoot-you-in-the-face, blood-thirsty, action extravaganza. Or it should have been. For like the card trying to stand, it falls. Director and screenwriter, Joe Carnahan, presents us with a situation, but instead of showing it to us, he tells us. Multiple characters talking so rapidly about something that should be paid attention to by the audience, but can't, allows our affliction (or what was left of it) to diminish.


Where's the action? Well, to tell you the truth, with all of the plot confusion, when the action occurs, it's free of conflict, which is very, very bad. Action without conflict in an action movie is like kicking yourself in the groin. Some of the scenes are unexpected and good, like when "Lost's" Matthew Fox interrogates another "Lost" actor, Nestor Carbonell, about his credibility of being a true FBI agent. Of course Carbonell's character, Pasquale Acosta who bit off the the skin on his fingers so he can't be traced, is not an FBI agent. This scene is fun to watch and has great dialogue, and an end that has great collision. Another character that's fun to watch is Jason Bateman's Rip Reed who is erratic and completely hilarious.

There is a build up, too, in "Smokin' Aces," which is the death of Israel. If he does not die, this would not be a movie. Well, it would but I would hate it even more than I do now. We watch "Smokin' Aces" not for the characters, not for the dialogue, not for the confusing plot, but for the climax, when Israel comes face to face with fate. We'll just leave it at this: it's a huge let down.

However, what saves this movie from being one of the worst films ever, is that it pulls off one of my favorite tricks in cinema, something successfully pulled off in "The Village" and "Children of Men," the incredibly shocking and unpredictable killing of a main star within the first half-hour. "Smokin' Aces" does this and is effective in the act, gaining some respect.

Grade: D