I'm Not There

I'm Not There
Starring Cate Blancett, Ben Whishaw, Heath Ledger, Christian Bale, Richard Gere, Marcus Carl Franklin, Charlotte Gainsbourg, Michelle Williams, and Bruce Greenwood

If anything can push itself closer to a masterpiece than what "I'm Not There" does, it's trying too hard. Through the eyes of director and writer Todd Haynes, we are given a collage of Bob Dylan, though he's never there (pun). With five, six or seven different interpretations of Dylan's life through five and up to seven fictionally true life characters, a near masterpiece - and the most original movie I have seen in years - forms.

There is Woody Guthrie, the lone wanderer, played masterfully by the young Marcus Carl Franklin. The casting is perfect for Woody, a version of Dylan. He is naive, adventurous, and running from or to something. Franklin's youth carries the character from place to place. Then we have Heath Ledger's Robbie Clark. This Dylan is washed-up and very persuasive in character. Love to anguish, Clark falls for Charlotte Gainsbourg's artsy Claire, and in the midst of the 60s, we see the evolution of couple. Probably my least favorite Dylan, Christian Bale is the epitome of folk music. He lives it. He is it. But Bale's character, Jack Rollins has the easy road compared to the other Dylans. (Bale also plays Pastor John, which may be the sixth Dylan). The final two definite Dylans are the most spectacular. Ben Whishaw's Arthur Rimbaud, outlaw, jailed up, delivers a picturesque interview monologues that trail throughout the film.

And finally, Cate. Cate Blanchett, in her most terrifically jaw-dropping role, is "I'm Not There." Her Dylan named Jude Quinn is the rock of Haynes film, and he knows it. She embodies Dylan more than any of the men playing him. She is the chameleon. She is perfect. She is, and I say this with all my knowledge of Hollywood, the best actress of our generation. Hand her the effing Oscar now.

Oh, yes - what about that seventh Dylan? Well, Richard Gere has a fun role near the end of the movie, playing Billy the Kid. Though he does cross paths with Franklin's Woody-Dylan, one may list Billy the Kid as a mirrored Dylan. I do. His scenes are bizarre and imaginative, giving us an alter-reality and something to ponder.

Todd Haynes delivered one of the best films of 2007, and one that really needs to be watched 50 times to grasp everything. I honestly can't wait to see it again.

Grade: A

I Am Legend

I Am Legend
Starring Will Smith & Abby the Dog

In a futuristic world that contains threads of "28 Days Later" and "Cast Away," this modern day version of the 50s novel commands an audience needy of action, love, humor, and Will Smith. For an hour and forty minutes, captivation takes control of the theatre, and one of the better end-of-the-world films comes to life. Of course, it has its kinks.

Will Smith is Robert Neville, assumably the last man on earth - well, at least on the isle of New York City. He and his trusty dog, Sam, hunt for wild deer during the day, watch taped news from years ago, listen to Bob Marley, and sleep. Except the sleeping part is more difficult - there are creatures about. Neville studies the humans and animals that were affected by a virus, but he never caught it. They are dangerous, hungry, and never enter the light.

As we enter his Tom Hanks circa "Cast Away" life, flashbacks are given as information about what happened before everyone died or became infected. His wife and daughter are now gone. It's just Neville and Sam.

The suspense of "I Am Legend" arises from a well known world that is so distant and strange. Times Square looks the same but doesn't. It's wild, relentless, deadly. Well, I guess nothing has really changed. Also, the fact that some of the creatures seem to be evolving runs the risk of never being safe. However, the movie takes a turn from being a good old Smith and Sam, lost, unavailing kind of adventure to one of hope. This is a good move for what else can you do, I guess? But it also lessens the tension in a way, knowing that someone else has been out there. Oh well. The final decision of Robert Neville is one to be highly questioned, but the movie before the last 20 minutes was great fun.

Grade: B

No Country for Old Men

No Country for Old Men
Starring Javier Bardem, Josh Brolin, Tommy Lee Jones, Kelly MacDonald, and Woody Harrelson

Precise, pestilent and perfect. "No Country for Old Men" lures its watcher in close and bites him from behind. In the year's masterpiece to top, the Coen brothers adeptly create a beautiful, shocking film full of breathtaking cinematography, quick dialogue, characters that are both paramount and futile, and thrills that go beyond the genre of a thriller.

Set in 1980 Texas, we follow three braided storylines: Llewellyn Moss (Josh Brolin) and his wife Carla Jean (Kelly MacDonald), Sheriff Ed Tom Bell (Tommy Lee Jones), and Anton Chigurh (Javier Bardem). The Moss' life revolves around getting past the next bill, but when Llewellyn comes across a drug-gang battlefield, he also falls upon a case of two million dollars - it's actually the same case and amount as the money case in "Fargo," the Coen Brothers previous work of perfection. Sheriff Bell is after the psychopathic lunatic Chigurh, who, on occasion, flips a coin to determine whether you're going to die or not.

Every second of this movie is beyond expectation, and every decision of film-making is beyond predictability. Jones adds to his 2007 repertoire ("In the Valley of Elah") with another well-defined performance. The role of Carla Jean is any understated actresses dream of playing, and MacDonald quietly delivers an unbelievable display of female rigidity, particularly her final scene which is beyond perfection and could earn her many nominations for supporting actress. Brolin commits to the performance of his lifetime. He and his character are unstoppably determined and risky, but the buzz and praise has to go to Bardem. He is so eerily calm as the psychotic mass murderer that chills run down your spine every time he graces the screen. There are scenes so grueling and terrifying that your heart begins to race while his is strangely in tune. He is fantastic and will win the Oscar.

Though there are still a handful of movies to see this year, "No Country for Old Men" tops the list so far. It's an instant classic and an instant favorite.

Grade: A+

The Golden Compass

The Golden Compass

Starring Dakota Blue Richards, Nicole Kidman, Daniel Craig, Eva Green, & Freddie Highmore

What you see is what you get. This cliche can be used perfectly for this year's beginning epic trilogy "His Dark Matters: The Golden Compass," for the film's trailer looks as though it will be a lesser "Chronicles of Narnia," but with a PG-13 rating, it will try to be "Lord of the Rings." It is neither.

The film, about a girl who is given a truth-telling golden compass, lacks depth and falls into the pitfalls of so many fantasy stories; its heart lost in its fantastical world. "The Golden Compass" falls short on character, trying to add so much detail without giving background knowledge. The story itself is fun, but there's no feeling at all.

However, there are some great scenes. Dakota Blue Richards, the Aussie lead, is disastrously good (strange, I know), where Nicole Kidman is elegant, regal, and evil as Mrs. Coulter. Her character is by far a favorite and Kidman pulls her out of every character downfall that all the others are trapped in. There's been talk about Oscar for Kidman, but I highly doubt this - she was just fun to watch. Also, the daemons are a great twist of fantasy, and are spectacular to watch when their human is killed. They just poof into a pile of dust!

Being that there are two more installments of the trilogy, we may see this series developing more, but for an introductory film, "The Golden Compass" did not point in the right direction.

Grade: C+

2008 Golden Globe Nominee Predictions (The Movies)

Here are my predictions for the 2008 Golden Globe Nominations announced this Thursday, December 13th (probable front-runners are in bold and italics):

Best Motion Picture - Drama

• Atonement
• No Country for Old Men
• There Will Be Blood
• American Gangster
• Michael Clayton

Best Motion Picture - Musical or Comedy

• Juno
• Sweeney Todd
• Charlie Wilson's War (if it's considered a comedy???)
• The Savages
• Waitress

Best Actor - Drama

• Daniel Day-Lewis - There Will Be Blood
• Tommy Lee Jones - In the Valley of Elah
• James MacAvoy - Atonement
• George Clooney - Michael Clayton
• Denzel Washington - American Gangster

Best Actor - Musical or Comedy

• Johnny Depp - Sweeney Todd
• Tom Hanks - Charlie Wilson's War (where does this belong???)
• Philip Seymour Hoffan - The Savages
• Ryan Gosling - Lars and the Real Girl
• Jack Nicholson - The Bucket List

Best Actress - Drama

• Julie Christie - Away from Her
• Keira Knightley - Atonement
• Cate Blanchett - Elizabeth: The Golden Age
• Angelina Jolie - A Mighty Heart
• Jodie Foster - The Brave One

Best Actress - Musical or Comedy

• Ellen Page - Juno
• Amy Adams - Enchanted
• Marion Colltilard - La Vie en Rose
• Laura Linney - The Savages
• Keri Russell - Waitress

Best Supporting Actor - Drama, Musical or Comedy

• Javier Bardem - No Country for Old Men
• Hal Holbrook - Into the Wild
• Tom Wilkinson - Michael Clayton
• Philip Seymour Hoffman - Charlie Wilson's War
• Casey Affleck - The Assassination of Jesse James

Best Supporting Actress - Drama, Musical or Comedy

• Cate Blanchett - I'm Not There
• Saoirse Ronan - Atonement
• Amy Ryan - Gone Baby Gone
• Tilda Swinton - Michael Clayton
• Jennifer Jason Leigh - Margot at the Wedding