
Check out my Film Studies blog with predictions at http://theoakstreetcritic.edublogs.org/
Oscar nominees? Based on tomorrow's results, they will be divided into 5 categories based on how well they predicted, then they receive bonus points for correct answers. But, if any can beat my score, they'll be awarded a mega ton of bonus points - pretty awesome.
BEST ACTOR
- the dominant 5 ladies given nominations (although most of them make the list of 10).
the hell she's never been nominated for an Oscar yet. Independence and creativity completely resounded from her throughout the French film. Incredible in "Stop-Loss" and proving herself again in "Bright Star" as the muse of famous British poet John Keats, Fanny Brawne, Abbie Cornish was simply what the title suggests - and she and the script counter this possible sappy side with moving scenes of grief, strife, and hardship. Cornish was perfect. Finally for the biopic roles, Meryl Streep brings comedy, drama, and cooking to the role of Julia Child in "Julie & Julia." She, of course, is brilliant. She, of course, should have won the Oscar over Sandra Bullock, who, while delivering the best performance of her career, should have had no chance against any of the ladies in this list of 10.
It shows that the awards can be plagued by campaigns and money - clearly, since "The Blind Side" (yes, "The Blind Side") was nominated for Best Picture.
in the restaurant. She's stone-cold, stoic; when he leaves, her release of emotion shoud've got her some sort of award. In the indie-film "Trucker," Michelle Monaghan shows a new side of her as an actress in a hugely underrated role as truck-driver Diane who has to learn how to be a mother. And finally for the tough babes, Tilda Swinton as the title role in "Julia" punches a whopping hole in what it means to be a great actress. She tears the screen up. She is unstopable. She doesn't give a damn, just like her character. I feel like she completely lived her role; I feel she IS Julia, the smoking, drinking, insane woman who decides it's a good idea to involve herself in a kidnapping with one of her crazy AA friends. Actually, it was her first day in AA. If you want a heart-pumping "what did this chick get herself into" kind of flick, watch Tilda in "Julia" and you'll see why it's one of the best performances, not only of 2009, but of the entire decade.
5. Meryl Streep as Julia Child in JULIE & JULIA
performances by male actors are dominated by men of the law or military. The other performances are all intelligent, at times creative men dealing with their women. It rings true that drama - in the Aristotle sense - is solely about what it means to be human and discovering this through our surroundings and the other humans around us.
Military roles are the perfect fit for any actor yearning to discover through cinema what it is to be human. Renner faced death every scene, Pitt showed the 21st century what it would've been like to slaughter Nazis, and Foster took us into the mind and life of soldiers telling other families that their son or daughter has died in the war.
scene in a beautifully agonizing way. On a side note, while "Nine" certainly wasn't as good as Rob Marshall's other musical film, "Chicago," it certainly didn't deserve the snubs it did.
Zooey Deschanel is mesmerizing, then when you discover that it's one-sided, Gordon-Levitt allows you in, really feeling bad for this guy. His genius lies in his ability to not be super whiny and to keep his role heartfelt.
5. Daniel Day-Lewis as Guido Contini in NINE
These scenes - just like those of the supporting actors - are what lands the actress on my list. Many actresses have had great, iconic roles this year (Vera Farmiga in "Up in the Air"; all the ladies - Nicole Kidman, Kate Hudson, Fergie, Judi Dench - of "Nine"; Rosamund Pike, the glamorous older friend of Jennie in "An Education"; Catherine Keener in "Where the Wild Things Are"; and Charlize Theron in "The Road." However, what these actresses didn't have - or didn't have enough of - are scenes that steal, scenes that escape the film and hold their own weight, scenes that make good movies great - or in some cases on my list, scenes that make bad movies watchable.
sub-characters. So, in some cases here, I have either agreed or disagreed with the Oscars or Globes or SAGs, but know that I've given their placement much thought.
leaving you emotionless - except for Jennifer Connelly as the jealous, suspicious wife of a cheating husband. The scene in the supermarket still resides in my mind.
the first time that her husband has died; Gyllenhaal steals the show from Bridges when he loses her son; and Moore's performance seems effortless as she battles with a memory - the memory of George's dead boyfriend.
5. Penelope Cruz as Lena in BROKEN EMBRACES
supporting actors, you have to have that one scene that often steals the show from the other cast members.
ws hardly any emotion to emit, but near the end, we see a different, pained side - a human quality.
"The Road." Quiet, clingy, and sort of whiny, but loyal to his father and often sad.
"Red," by the way) as Jenny's father in "An Education." He is the force always in the back of Jenny's mind as she experiences life outside her home, and also in the back of the audiences mind. His role resonates with us even when he's not on screen. Stanley Tucci plays the psychotic killer in "The Lovely Bones"; while the film is self-indulgent and over-the-top, Tucci's performance is a knock-out that would have deserved the Oscar and every other award if it were not for our final actor. Christoph Waltz, an unknown German actor, completely steals - I mean the biggest bank robbery in history - the show from every incredible actor in "Inglourious Basterds." He was funny, insane, despicable and loveable - and he was a Jew-hunting Nazi! Brilliant.
5. Anthony Mackie as Sergeant JT Sanborn in THE HURT LOCKER
Rainer Bock, Ulrich Tukur, Thibault Serie, Fion Mutert, Steffi Kuhnert, Enno Trebs, Milijan Chatelain, Eddy Grahl, Branko Samarovski, Detlev Buck)
BEST MUSICAL 